Showing posts with label Paintings. Show all posts
Showing posts with label Paintings. Show all posts

Monday, June 9, 2014

Laser Cut Statement Necklace

In Philadelphia we have a tradition called First Friday in which the galleries downtown turnover to new exhibitions.  This draws in flocks of creative talents and observers to partake in sipping wine while listening to hipsters have a jam session on the crowded sidewalk that is lined with artists, elbow to elbow, hovering over makeshift displays of their works.  A wide variety of work is on display from paintings, prints, ceramics, jewelry; any sort of imaginable aesthetic is available to your service.


This particular month I wandered into a gallery I have never been in before.  I’m not particularly a fan of carpentry but my boyfriend wanted to take a walk through The Center for Art and Wood.  Here we were entranced by the fine craftsmanship on display, the ingenuity of taking and ancient craft, and spinning a modern twist on the art, creating conceptual sculptures relevant to our modern day queries.

However what caught my eye in this wonderland of wood knots and wood grain was of course, a piece of jewelry.  I happened across a stack of laser cut balsa wood necklaces.  Ordinarily this would not catch my interest, but what did spark my inner child was that these pieces were interactive.  Each necklace was a different color scheme and shape, but all were completely comprised of gears riveted together.  When you spun one gear, all of them begin to spin.  It was a delightful work of modern art that is toy-like and playful.  And the burning of the wood from the laser gives the grain a nice shading to invoke a nice steam punk quality to the piece.


Overall this necklace was a delight to find in that it’s a piece of jewelry that is impressive artistically and conceptually but still just plain old fun.  Below I linked the website of the creators of the piece, Green Tree Jewelry. Enjoy!



                                                 http://www.greentreejewelry.com

Thursday, April 3, 2014

The New York Times Recognizes Five Up and Coming Jewelry Designers

Great article I found recently with The New York Times (Young Designers Re-imagine Jewelry)  featuring five young women chosen as the latest up and coming jewelers.  Most people in this industry know that the large name jewelry designers are in New York, iconic store fronts that have resided there for half a century pushing their latest fashions into the greedy willing hands of the trend-setting masses.

However in this new era we have more people than ever diligently learning this archaic craft, pushing themselves to compete with classic timeless designs.  How do they do that? Contemporary jewelry.   They take the ancient art of jewelry making and push it further, branching out and giving a new and exciting twist to the designs that we already know.  Contemporary jewelry tends to find itself on display in small trendy art galleries or available in chic boutiques, ready to be snatched up by the careful eye of those who blog and Instagram because they have a piece of fashion that is handmade and one of a kind that needs to be shared with the world as the “hottest thing”.  Many small boutiques and budding designers have gained tremendous momentum from this phenomenon allowing them to break through to be seen and share their ideas.

This article in the New York Times acknowledges this societal change and embraces it by showcasing these four young women and their contribution to fine jewelry. For more information on the artists and where to see and purchase there work, see the article linked above and below. 

                                                                Anna Khouri


                                                                Anita Ko


                                                             Gaia Repossi


                                                         Delfina Delettrez
                     
                          
                                                           Jennifer Fisher




Sources:
Photos by Agaton Storm for New York Times Article

Monday, March 10, 2014

Flower Show 2014

Having been a Philadelphian for several years now I find it surprising I had actually never been to the Philadelphia Flower Show, a showcase of bursting colorful flora in contemporary design.  This year I finally made the time to take in this exhibition of living medium.  I have always worked with painting, drawing, and metalsmithing, but I have never dappled in the botanical arts.

                So I ventured into the dimly lit convention center with an open mind to be met with a floor to ceiling floral sculpture.  Reminiscent of Tim Burton’s Alice in Wonderland, these structures were saturated in color and made up of several types of plant life that blended together effortlessly to give the illusion of soft pillow-like structures.   It was a wonderland of a garden that we could walk through and interact with,  a 360 degree installation that keep me in awe no matter which way I turned my head.

                Moving away from the show-stopping structure that stood immediately in the doorway, you were able to mill about different exhibitions that all focused on the floral medium.  To the right of the entrance we were able to look at black and white project concepts jump from the flat, untelling, restraint of the sketchbook into the tangible universe where all the facets of its design could be fully appreciated. 

                What I really enjoyed of the show were the installations based off of famous artists, such as Van Gogh, Mondrian, and Kandinsky.  Artists for centuries have drawn inspiration from nature so it was delightful to see the role reversal and have nature channel these artists.  In a similar realm of creativity I was thrilled to see student work at such a large public show.  We always see the polished professionalism of veteran art works but rarely get to see the humble beginnings of an artist’s portfolio unless it is sought out at student shows.  The student work that particularly drew my attention was of course the jewelry made out of items found in nature.  These works were based off of designers such as Valentino, Chanel, and Tiffany and Co.  It was incredible to see a vibrant red brooch give the illusion of lace with the use of a colored skeletal leaf.  As well as the use of painted poppy seeds used to create intricate beaded work in the series based off of Faberge Eggs.




                                     




                Another aspect of the show I appreciated was that they brought it back to gardening basics of the ostentatious displays in the showroom.  In the “PHS Hamilton Horticourt”, there was just a focus on the beauty of growing healthy happy plants.  It was segregated by plant, with information of how each of the plant was judged.  This was a simple and clean display of the nurturing of nature for those that enjoy the hobby of gardening and were not there for the avant-garde world of design. 

                Overall I was truly impressed by how much was squeezed into the showroom.  There was a little bit for everyone, and the show keep switching gears to keep it fresh and new.  I constantly felt like I was switching rooms when going from display to display because of how different each exhibit was.  One moment I was looking at a desert themed Subaru display then I turn around and see a Zen inspired bonsai showcase.  I can honestly say that I didn’t get tired like I do at craft shows because there was no repetition.    However, my criticism of the show was there were a lot of elements that did not fit with the theme of the show.  Such as the indoor market, I felt was really tasteless to have people selling clothes and bags at a flower show.  It cheapened my experienced to be corralled right into a pop up market after seeing such incredible, beautiful, well thought out things.  With that said I did thoroughly enjoy myself and very much do look forward to next year. 


For more pictures feel free to browse my g+ gallery: google.com/+ShannonHenry

WJA Philly Round Table - F. Walter Lawrence & Gustav Manz Desert Brooch

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